Wednesday, July 26, 2017
Sunday, July 16, 2017
London libraries #6: Carnegie Library, Herne Hill
That is the plan being put through by Lambeth Council. Meanwhile, the library has been closed for over a year (costing nearly as much keeping it closed as being open). There were protests earlier in the year by 'Defend the 10', the group trying to keep open the ten libraries in Lambeth that are threatened with closure.
Carnegie Library was built in 1907 with funds from philanthropist Andrew Carnegie (most famous for his eponymous Hall in New York City). It's a striking and beautiful brick and terracotta Grade II listed building, apparently well-loved before it was closed in March last year. It currently stands empty and locked up, with leaves in the entrance and overgrown plants in the front. Posted all around the railing are quotes from famous authors on the importance of books and librarians.
Previously on Barnflakes:
London libraries #1-6
Elsewhere on Barnflakes:
The best photo ever, ever, ever taken in Herne Hill
Saturday, July 15, 2017
Top ten Prince food songs
The artist formerly known as Quince, then Mince, who resided in Parsley Park, was a bit of a foodie. Here's ten of his most edible:
1. Little Red Courgette
2. Sign o' the Thymes
3. Raspberry Brûlée
4. Alphabet Spaghetti St.
5. U Got the Cook
6. Lemon Crush
7. Do Me, Gravy
8. I Could Never Take the Plaice of Your Man
9. Under the Cherry Moon
10. Cinnamon Girl
Previously on Barnflakes:
Lionel Richie tea
1. Little Red Courgette
2. Sign o' the Thymes
3. Raspberry Brûlée
4. Alphabet Spaghetti St.
5. U Got the Cook
6. Lemon Crush
7. Do Me, Gravy
8. I Could Never Take the Plaice of Your Man
9. Under the Cherry Moon
10. Cinnamon Girl
Previously on Barnflakes:
Lionel Richie tea
Thursday, July 06, 2017
Negan must die
Long live Negan!
This post contains spoilers about season 7 of The Walking Dead
There's a new kid on the block. He has flashy white teeth, a black leather jacket and a baseball bat wrapped in barbed wire called Lucille. He's always grinning, generally having a good time and has some killer (usually literally) one liners. Okay, he's a complete sadistic sociopath and psychopath but you know what, I can't help liking Negan! (Not least because of his rock 'n' roll demeanor, something of a cross between Lou Reed and Jamie Hince.)
Understandably, most of Rick's crew don't like Negan. In the first episode of season 7 he batters Abraham and Glenn to death with Lucille (his baseball bat). The rest of Rick's group stand around, aghast, yet do nothing. Which is what they do for the first eight episodes, as Negan beats up and kills other members of Alexandria (the community where Rick and co. live), takes half their supplies, and generally force them into a life of servitude (it should be noted – they could leave Alexandria at anytime. They could find a nice boat and sail to the Maldives!) which includes kneeling before Negan and thanking him for slipping his dick down their throats (Negan's words).
It's bizarre. In one episode alone, there were about eight of Rick's posse all looking to kill Negan, whilst all the time he's relaxing at Alexandria on his own (i.e. without any of his posse), drinking lemonade, eating pasta and shooting some pool, surrounded by about a dozen other people who also want him dead yet seem incapable of doing anything. My theory is if they killed Negan, the rest of the Saviours wouldn't be too fussed; they're basically all in slavitude too, presumably all hate but fear Negan, and he seems to have one-sided monologues with most of them, belittling and humiliating them at best, threatening and torturing them at worst.
Potential weapons are lying around all the time; okay, guns have been confiscated (but there was ample time before to take him out with anything from a pistol to a rocket launcher), but there's Lucille (his baseball bat), which Negan gives to Rick and Carl to hold for him, there's a cut-throat razor blade, there's a snooker cue; basically, any one at any time could have killed him. But if that had happened, the season wouldn't have dragged on for so long...
Even in the later episodes, guns, a tiger (!) and a zombie Sasha can't kill Negan. Like Rick, he is invincible. After sixteen episodes, Rick says exactly the same words to Negan as he did in the first episode (when he was also tied up and on his knees); "I’m gonna kill you… Not today. Not tomorrow. But I’m gonna kill you". Understandably, Negan laughs in Rick's face (but doesn't kill him).
Nothing really ever works out for Rick. But for Negan life seems a bowl of cherries. He has a harem of wives, undying loyalty and can generally do as he pleases. Before the zombie apocalypse, God knows what he did – barman in a biker bar? Banker? MD of a company?
People's previous lives and work are rarely mentioned. Post-apocalypse you either sink or swim. After seven seasons, any survivors can kill a zombie as easy as turning the page of a book. No, zombies aren't the problem at all – it's other humans.
Season 8 will be broadcast towards the end of the year.
Previously on Barnflakes:
Notes on the Walking Dead
The Walking Dead recipe
Dinosaurs & zombies
This post contains spoilers about season 7 of The Walking Dead
There's a new kid on the block. He has flashy white teeth, a black leather jacket and a baseball bat wrapped in barbed wire called Lucille. He's always grinning, generally having a good time and has some killer (usually literally) one liners. Okay, he's a complete sadistic sociopath and psychopath but you know what, I can't help liking Negan! (Not least because of his rock 'n' roll demeanor, something of a cross between Lou Reed and Jamie Hince.)
Understandably, most of Rick's crew don't like Negan. In the first episode of season 7 he batters Abraham and Glenn to death with Lucille (his baseball bat). The rest of Rick's group stand around, aghast, yet do nothing. Which is what they do for the first eight episodes, as Negan beats up and kills other members of Alexandria (the community where Rick and co. live), takes half their supplies, and generally force them into a life of servitude (it should be noted – they could leave Alexandria at anytime. They could find a nice boat and sail to the Maldives!) which includes kneeling before Negan and thanking him for slipping his dick down their throats (Negan's words).
It's bizarre. In one episode alone, there were about eight of Rick's posse all looking to kill Negan, whilst all the time he's relaxing at Alexandria on his own (i.e. without any of his posse), drinking lemonade, eating pasta and shooting some pool, surrounded by about a dozen other people who also want him dead yet seem incapable of doing anything. My theory is if they killed Negan, the rest of the Saviours wouldn't be too fussed; they're basically all in slavitude too, presumably all hate but fear Negan, and he seems to have one-sided monologues with most of them, belittling and humiliating them at best, threatening and torturing them at worst.
Potential weapons are lying around all the time; okay, guns have been confiscated (but there was ample time before to take him out with anything from a pistol to a rocket launcher), but there's Lucille (his baseball bat), which Negan gives to Rick and Carl to hold for him, there's a cut-throat razor blade, there's a snooker cue; basically, any one at any time could have killed him. But if that had happened, the season wouldn't have dragged on for so long...
Even in the later episodes, guns, a tiger (!) and a zombie Sasha can't kill Negan. Like Rick, he is invincible. After sixteen episodes, Rick says exactly the same words to Negan as he did in the first episode (when he was also tied up and on his knees); "I’m gonna kill you… Not today. Not tomorrow. But I’m gonna kill you". Understandably, Negan laughs in Rick's face (but doesn't kill him).
Nothing really ever works out for Rick. But for Negan life seems a bowl of cherries. He has a harem of wives, undying loyalty and can generally do as he pleases. Before the zombie apocalypse, God knows what he did – barman in a biker bar? Banker? MD of a company?
People's previous lives and work are rarely mentioned. Post-apocalypse you either sink or swim. After seven seasons, any survivors can kill a zombie as easy as turning the page of a book. No, zombies aren't the problem at all – it's other humans.
Season 8 will be broadcast towards the end of the year.
Previously on Barnflakes:
Notes on the Walking Dead
The Walking Dead recipe
Dinosaurs & zombies
Tuesday, July 04, 2017
The art of arranging flowers
Michael Andorfee takes the lift up to the offices at Dogma9, admiring his hair and Japanese jacket in the mirrors whilst reflecting with relish that any woman in the office would probably give him a blow job in the lift, if he asked them. He just hasn't asked yet. How to get (a)head in advertising. He walks through the office in slow motion, like a movie star or royalty. The creative guru has arrived. In the kitchen, the timid new office manager says she likes his jacket and asks if it's vintage (and not, is it new?). Thanks, Michael says, yes, yes it is vintage, with an approving lilt in his voice. I got it in Japan recently. Since Japan he's been to New York, and now he's back in the London office, partly to check the design mock-ups for a pitch for a new client.
Andorfee swans over to the design desks to view the designs on screen. Six other people suddenly materialise behind him; creatives, account handlers, groupies. Michael first looks at James's work. James has spent days on it. He looks at it for maybe five seconds, says it's too fussy, too complicated, and moves over to Alex's desk. This is more like it, he says. Alex is beaming. It actually looks like a Gap ad or a black and white Calvin Klein ad from the 1990s. With bland, meaningless text wrapped around some chiseled male figures.
Michael likes the photos… they remind him of a photographer whose name he can’t remember… Alex jumps in with “Terry Richardson?”, presumably the first, hip photographer he can think of. No, no, no, chants Andorfee. I like Terry but not what he does with kids. Cue canned laughter. There’s the implication that he’s worked with Richardson. Andorfee finds the photographer he was thinking of online and shows Alex. Ah, yes.
Michael Adorfee doesn't like the text. The text needs to be organic, he says. I can change it, enthuses Alex. Try handwritten text instead, suggests Michael. Alex immediately looks for handwriting fonts. No, no, no, intones David. Try actual handwriting. Genius! Everyone applauds. It occurs to James – whose designs were dismissed in five seconds – that Michael looks maniacal and crazy and may be an idiot. There's something of the Emperor's New Clothing about him, and not just the Japanese jacket.
Michael strolls over to his own desk and brings back a book with a spine some two inches thick: Shozo Sato's The Art of Arranging Flowers. Published in 1966, this book has acquired cult status for pretentious designers and creatives with more money than sense. To everyone else it just looks like a boring, old-fashioned book of flower arranging. Inside the book is the invoice, from IDEA, the poncy 'super' bookseller on Dover Street Market, said by Vogue to be the 'coolest publisher in the world' . The book cost Michael £125, though can be bought on eBay for about £17. It's all about context.
Michael tells Alex the book is beautiful and useful for inspiration. Alex stares at it blankly but gushes, 'Of course, brilliant, yes!' Michael asks him if he'd like to borrow it. As he hands the book to Alex – i.e. there's no option but to borrow it – there's a moment of awkward confusion as Michael also has his notebook in the same hand, and Alex thinks he's asking him if he wants to borrow his notebook. 'Well, don't you need your notebook?' Asks Alex in confusion. Not the fucking notebook, says Micheal, the book. Relieved laughter all round. In fact, every time Michael says anything, there's nods, yeses or laughs from the groupies.
Michael is regularly interviewed for creative magazines where he makes predictions such as '2017 will be the year for creativity in advertising'. Naturally he's working on a novel, a screenplay and a play but doesn't have time to finish them. His Instagram account has 15k followers but being a creative, Michael states that Instagram is 'for writers', and posts photos (rarely his) of an advert or newspaper headline or screenshot and writes besides it witty cynical commentary (self-deprecating yet superior sounding), to which his many admirers comment 'you are the best', 'bravo', 'incredible' and 'you are amazing', which certainly doesn't go to his head. Annoyingly I find myself chuckling at his clever copy, but at the same time realising it's fairly similar in tone to, say, the Dos and Don'ts in Vice magazine I also used to chuckle at. Some comments celebrate that he's 'STILL GOT IT'. Implying, one day, one day, he won't. Advertising and social media are fickle friends and he's almost the wrong side of 30.
Michael gets up and goes somewhere else, perhaps to go do some Japanese flower arranging. Like a puppy eager to please his master and still basking in that warm glow, Alex jumps up and gets everyone in the office to write a sample of their handwriting on a piece of paper. James rolls his eyes and almost imperceivably shakes his head. I walk out and presumably never go back.
Andorfee swans over to the design desks to view the designs on screen. Six other people suddenly materialise behind him; creatives, account handlers, groupies. Michael first looks at James's work. James has spent days on it. He looks at it for maybe five seconds, says it's too fussy, too complicated, and moves over to Alex's desk. This is more like it, he says. Alex is beaming. It actually looks like a Gap ad or a black and white Calvin Klein ad from the 1990s. With bland, meaningless text wrapped around some chiseled male figures.
Michael likes the photos… they remind him of a photographer whose name he can’t remember… Alex jumps in with “Terry Richardson?”, presumably the first, hip photographer he can think of. No, no, no, chants Andorfee. I like Terry but not what he does with kids. Cue canned laughter. There’s the implication that he’s worked with Richardson. Andorfee finds the photographer he was thinking of online and shows Alex. Ah, yes.
Michael Adorfee doesn't like the text. The text needs to be organic, he says. I can change it, enthuses Alex. Try handwritten text instead, suggests Michael. Alex immediately looks for handwriting fonts. No, no, no, intones David. Try actual handwriting. Genius! Everyone applauds. It occurs to James – whose designs were dismissed in five seconds – that Michael looks maniacal and crazy and may be an idiot. There's something of the Emperor's New Clothing about him, and not just the Japanese jacket.
Michael strolls over to his own desk and brings back a book with a spine some two inches thick: Shozo Sato's The Art of Arranging Flowers. Published in 1966, this book has acquired cult status for pretentious designers and creatives with more money than sense. To everyone else it just looks like a boring, old-fashioned book of flower arranging. Inside the book is the invoice, from IDEA, the poncy 'super' bookseller on Dover Street Market, said by Vogue to be the 'coolest publisher in the world' . The book cost Michael £125, though can be bought on eBay for about £17. It's all about context.
Michael tells Alex the book is beautiful and useful for inspiration. Alex stares at it blankly but gushes, 'Of course, brilliant, yes!' Michael asks him if he'd like to borrow it. As he hands the book to Alex – i.e. there's no option but to borrow it – there's a moment of awkward confusion as Michael also has his notebook in the same hand, and Alex thinks he's asking him if he wants to borrow his notebook. 'Well, don't you need your notebook?' Asks Alex in confusion. Not the fucking notebook, says Micheal, the book. Relieved laughter all round. In fact, every time Michael says anything, there's nods, yeses or laughs from the groupies.
Michael is regularly interviewed for creative magazines where he makes predictions such as '2017 will be the year for creativity in advertising'. Naturally he's working on a novel, a screenplay and a play but doesn't have time to finish them. His Instagram account has 15k followers but being a creative, Michael states that Instagram is 'for writers', and posts photos (rarely his) of an advert or newspaper headline or screenshot and writes besides it witty cynical commentary (self-deprecating yet superior sounding), to which his many admirers comment 'you are the best', 'bravo', 'incredible' and 'you are amazing', which certainly doesn't go to his head. Annoyingly I find myself chuckling at his clever copy, but at the same time realising it's fairly similar in tone to, say, the Dos and Don'ts in Vice magazine I also used to chuckle at. Some comments celebrate that he's 'STILL GOT IT'. Implying, one day, one day, he won't. Advertising and social media are fickle friends and he's almost the wrong side of 30.
Michael gets up and goes somewhere else, perhaps to go do some Japanese flower arranging. Like a puppy eager to please his master and still basking in that warm glow, Alex jumps up and gets everyone in the office to write a sample of their handwriting on a piece of paper. James rolls his eyes and almost imperceivably shakes his head. I walk out and presumably never go back.
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