Two leaks (in a week)

 

Leaks are all the rage – in politics, technology, business, sport, film, music – if anyone is anyone, they're leaking (or being leaked) something, somewhere. The internet, like a church roof, is full of leaks. Being cloaked in secrecy, is it quite exciting when the something in question actually leaks. I've bought – legally – two musical leaks this week. It's hard to know anymore if leaks are genuine or simply PR ('Google leaks its own phone').

The first 'album' I bought was Radiohead's MiniDiscs (Hacked), over 16 hours worth of unheard Radiohead music recorded during the OK Computer sessions between 1995 and 1998. What happened was a hacker nicked Thom Yorke's MiniDisc archive and threatened to leak it online unless he was paid $150,000. Yorke thought fuck it, the material 'isn't v interesting' (his words), so released it all himself on Bandcamp for fans to buy for £18 (you know, to be exact, if it sounds like £18 for 18 hours, it's actually a bit less than 18 hours – 16 according to some articles online; and if it sounds like £18, it's actually £21.60 after VAT).

If you know me, you'll know I've probably never played a Radiohead album all the way through, so the only concept more depressing than having to download 1.8Gb of Radiohead material that didn't even make it onto a record was having to listen to it. So I didn't bother. But I did buy it. All proceeds are to go to Extinction Rebellion, so a pretty good cause (Thom Yorke feeling guilty for taking so many flights – he apparently had a build-up of liquid in his ears from doing so – quip a thousand cynical Guardian readers in the comments section of the article about the decision to release the material). We're still not quite getting this whole climate change thing when some depressing leaked music gets more press than the future of the planet. (Today, there are actually online reviews of the 16+ hours – yes, that would mean the poor sods had to listen to it all night.)

The second album I bought was Leak 04-13 (Bait Ones) by British producer Jai Paul. It got 8.9 on Pitchfork recently so I thought I'd give it a try. The story is, the collection of demos was leaked in 2013 and sold illegally through Bandcamp. Jai Paul was so upset about this that for the next six years he underwent therapy and couldn't produce or even finish his unfinished demos. Only now is he able to officially release his unfinished demos. The Fader say: 'one of the great records of the decade'. Pitchfork say: 'the sound of borders breaking'. Anyway, I bought it through Paul's website, where you can pay what you want for the album. So I paid 1p. Well, I felt burnt after Radiohead.

What can I say? I've been watching the barnstorming and incendiary performances of Bob Dylan in the new Netflix documentary Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, as well as listening to the 14-CD set The 1975 Recordings. They make Jai Paul and Radiohead sound like dull, miserable kids playing on their laptops in their bedrooms.